Showing posts with label Longreads. Show all posts
Showing posts with label Longreads. Show all posts

Tuesday, 22 September 2020

Inside the Chaos of Immigration Court

Gabriel Thompson | Longreads | September 2020 | 6,849 words (24 minutes)

 

The Equitable Life Building, at 100 Montgomery Street, sits in the heart of San Francisco’s Financial District. Named after an insurance company, it was the first skyscraper built in the city after the Depression, a symbol of optimism rising 25 stories high with marble walls that sparkled in the sun. Today, it is home to all sorts of buzzy Bay Area companies, from Spruce Capital Partners (“investors and thought leaders in the Life Sciences industry”) to the OutCast Agency (“strategists and creatives” with “a hyper-growth mindset”). To get away from the hectic pace of investing, strategizing, and creating, tenants can burn off calories inside the building’s private gym or take their lunch break atop a luxurious rooftop deck. 

The Equitable Life Building is also home to the San Francisco Immigration Court, though it’s easy to miss. On my first visit last winter, the only hint that a court lay within was the scores of families in the lobby, clutching summonses and looking confused. The court is above, occupying the fourth, eighth, and ninth floors. Up here, the elevators opened into a slightly off-kilter dimension: A security line snaked into a cramped waiting room, which led to a winding and windowless hallway, from which one entered identical windowless courtrooms. It was deeply disorienting. I often encountered people fumbling around in the hallway, not sure how the hell to get out.   

Last December, on a Thursday afternoon, I met Francisco Ugarte, who manages the Immigration Defense Unit of the San Francisco Public Defender’s office. Ugarte, who is 48, was dressed in a dark gray suit, and had a neatly trimmed beard and a youthful face. Unlike most people I encountered, he appeared at ease and well rested. His client, an Iraqi man named Abbas, sat nearby, bouncing his right leg and radiating anxiety. 

In San Francisco, where the battle for the soul of the court was raging before the pandemic, what first struck a visitor was the chaos.

The cases Ugarte takes tend to be complicated. Some of his clients have criminal records — often drug convictions — that can trigger deportation, and he maneuvers within the thickets of criminal and immigration law, a field known as “crimmigration.” Abbas, a broad-shouldered man with a prominent mole on his left cheek, had a case more complicated than most. Born in Baghdad, the 52-year-old had deserted the Army as a teenager, during the Iran-Iraq war. He was apprehended by Saddam’s security forces, tortured for six months, and forced to reenlist. In 1991, during the First Gulf War, he deserted again and went into hiding near his parents’ house in Baghdad. One night, U.S. missiles rocked the residential neighborhood. Abbas ran to the scene, where he discovered his childhood home had been leveled. He pulled his dead parents and siblings from the debris.  

After the bombing, Abbas fled toward the southern city of Nasiriyah. Within sight of Iraqi and American soldiers, he ran forward waving a white T-shirt, but was shot by Iraqi soldiers in the neck and leg. He woke up two months later in a hospital in Saudi Arabia, and spent the next two years in a refugee camp. In 1993, he was granted refugee status and relocated to San Francisco, where he moved into a small apartment in the Tenderloin neighborhood. More than two decades later, Abbas would be diagnosed with PTSD and begin to receive treatment. At the time, he turned to drugs. After many legal twists, his habit had finally landed him here, seated next to his teary girlfriend. In 20 minutes, he would go in front of a judge and learn his fate. 

“If he’s deported, he will be tortured and killed,” Ugarte said. He told me that he would normally have little doubt he would win Abbas’ case: He had amassed reams of evidence, from decades-old documents to extensive expert testimony. Still, Ugarte was nervous. “Things are different now,” Ugarte said. Under Trump, new rules have been put in place to make it more difficult to win asylum, while immigration courts — which operate largely outside of public view — have been packed with judges with prosecutorial backgrounds. In San Francisco, traditionally one of the most immigrant-friendly courts, 19 of the 26 current judges have been installed by the Trump administration. The new judges include nine former ICE attorneys, two former prosecutors, and a controversial former circuit court judge in Illinois, Nicholas Ford, with a history of having his cases reversed on appeal, including one in which he dismissed claims that a 15-year-old boy had confessed to a crime after being tortured by police. 

“The federal administration is trying to weaponize the courts,” Ugarte told me. “It’s arbitrary and crushing. We can’t assume anything.” 

* * *

For several weeks last winter, I spent nearly every weekday at San Francisco Immigration Court. I had visited immigration courts before, following particular cases, but this time I camped out all day — observing dozens of hearings, interviewing immigrants, taking notes on judges — seeking to understand how Trump’s relentless attacks on asylum seekers were unfolding in one of the nation’s busiest immigration courts.

I filed my story just before the first coronavirus cases began appearing in Washington and California. That was about eight months ago. It now feels, of course, like a period that belongs to another decade. COVID-19 has since swept through the country and upended immigration courts while presenting grave new threats to immigrants. In San Francisco and elsewhere, the courts initially remained open despite shelter-in-place orders, and the government even instructed, albeit briefly, that posters by the Centers for Disease Control and Prevention (CDC) on measures to prevent the spread of the virus be taken down inside.

Crowded courtrooms were eventually shut down and most have remained closed to date. But inside detention centers, where some immigrants are held as their cases proceed and where social distancing is virtually impossible, the virus has spread rapidly. To date, more than 5,000 detained immigrants have tested positive for COVID-19, likely a severe undercount since testing has been patchy; and at least five, according to ICE, have died from the virus. Meanwhile, Trump has used the pandemic as yet another weapon against asylum seekers, introducing in July a proposal that would ban people from seeking asylum if they were from countries where an outbreak is “prevalent or epidemic.” 

COVID-19 has profoundly disrupted immigration courts, just as it has disrupted every other aspect of life in the United States. We long for a vaccine, anticipating that it will return us to our previous lives, where some sense of order and routine existed, where life felt (at least sometimes) sustainable. Immigration court is different. The coronavirus has essentially frozen hundreds of thousands of immigration cases. Those cases are now beginning to thaw, as more courts across the country reopen — including San Francisco, which is set to resume normal operations on September 28. When immigration courts return in their previous form, there will be nothing orderly or sustainable about them. 

* * *

To understand immigration court, it helps to forget much of what you know about traditional courts. Immigration courts are not a check on the executive branch; they are the executive branch, run by the Department of Justice and overseen by the Attorney General, the country’s top prosecutor. If the Attorney General doesn’t agree with a decision, they can overrule it. The judges aren’t typical judges, either. They are, instead, “non-supervisory career attorneys” selected by the Attorney General who are tasked, according to federal regulation, to act “as the Attorney General’s delegates in the cases that come before them,” with little control of their court docket and increasingly micro-managed by supervisors. 

The court, especially under Trump, is a battlefield on which the rules are constantly shifting. At the front line of that battle, two conflicting imperatives meet. The first is Constitutional: the right to due process — for an immigrant to receive a full hearing in front of an impartial judge. The second is political: Trump wants to deport asylum seekers quickly. “When somebody comes in, we must immediately, with no Judges or Court Cases, bring them back from where they came,” Trump tweeted in 2018. 

In some courts, the battle is largely over. There are courts, usually far from cities and lawyers, where judges deny nearly all asylum seekers, often in rushed hearings. The newest courts, held inside hastily constructed tents near the border with Mexico — temporarily closed due to COVID-19 — approached a sort of platonic ideal for Trump. There, asylum seekers are forced to wait in Mexico’s dangerous border cities — where some have been kidnapped, raped, and murdered — and face judges who appear via video and are prosecuted by attorneys they cannot see. In December, the San Diego Union Tribune reported that of the 24,000 asylum seekers who have gone through the Remain in Mexico program, only 0.4 percent were granted asylum.

In San Francisco, where the battle for the soul of the court was raging before the pandemic, what first struck a visitor was the chaos. One hearing I attended was postponed after the judge realized he had been given a file for an asylum seeker from El Salvador, while the person in front of him was from Honduras. In too many cases to count, the court double-booked hearings, leading to cancellations. Sometimes a translator couldn’t be located, or the translator was located, but didn’t speak the language of the immigrant. Even when hearings went ahead as scheduled, judges struggled to keep a grip on the most basic of facts. After hearing testimony about a harrowing escape from gang violence, the first question a judge asked was whether the woman still had any family members living in Guatemala. She didn’t, because as she had just explained, she was from Honduras. A few minutes later, the judge asked if her partner had remained behind in Guatemala. 

When immigration courts return in their previous form, there will be nothing orderly or sustainable about them.

Much of the chaos is due to the volume of cases, caused by the record number of asylum seekers and the chronic underfunding of immigration courts. Over the last three years, the number of pending cases has skyrocketed, from nearly 630,000 in 2017 to more than a million in 2019. In San Francisco alone, the current backlog is 72,000 cases. In 2019, the government opened two new courts in California in an attempt to alleviate this crush. If those courts are having any impact, it’s hard to discern. One day, I squeezed into the waiting room and studied the docket posted on the wall for the day. There were 533 names listed, from 16 countries, who spoke 17 different languages. Taken together, a diverse village. All were people the government sought to deport.  

The responsibility to defend this village falls on the shoulders of immigration attorneys. They’re the people who dart between courtrooms as they juggle appearances, cart around oversized bags filled with their client’s files, and have books like Empire of Borders tucked under their arms. They don’t look nervous so much as exhausted. Under Trump — whose framed portrait hangs, crookedly, in the waiting room — judges have been ordered to close at least 700 cases a year. When I asked one attorney how she maintained a work-life balance, she laughed. Another was back in court six hours after the birth of his first child.

* * *

On a crisp morning last December, I joined Emily Abraham and Gautam Jagannath as they wove between traffic en route to court. The couple, both 35, founded a nonprofit called the Social Justice Collaborative in 2012, and have represented hundreds of asylum seekers, many of them indigenous Guatemalans who do not speak Spanish. (The organization has four staff members who are fluent in Mam, a Mayan language.) Even for immigration attorneys, they manage an absurdly heavy load; this week they will appear in 11 individual hearings, which are akin to trials in criminal court. 

As they walked, they discussed the case of a woman who had recently come in for a legal consultation. They planned to represent her, but were unable to attend her next court date, so handed over a business card to show the judge. This had always been sufficient to secure an extension. This time, the judge — a new appointee and former ICE attorney — ordered the woman deported. Now they had to appeal the case, a bureaucratic process that, if successful, would further clog the court.  


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This morning they were in front of Judge Joseph Park, another former ICE attorney, representing a woman from El Salvador. Abraham had only learned about the hearing the previous week. “I told the court I couldn’t make the new date,” she said. “But they told me I didn’t have a choice. They dump us wherever they want.” 

Inside, another attorney was waiting to appear in front of Parks; he, too, had received a call alerting him to the hastily arranged hearing. Abraham let out a sigh of frustration and shook her head. A clerk spoke to the other attorney, whose case was bumped to the following month. 

“It’s a form of mistreatment, the constant moving around,” said Jagannath. “It’s mistreatment for everyone: clients, attorneys, and judges.” 

Inside the courtroom, the confusion continued. Abraham had filed more than 1000 pages of documents. The attorney for the government, however, was missing numerous exhibits. Abraham’s client had previously been in front of four judges, including one who was participating, via video, from Los Angeles — an entirely different court. Maybe the missing documents were in LA? Then the judge’s computer crashed. By the time the mess was sorted out, nearly an hour had passed. Park, an Asian man with shoulder-length hair and glasses perched atop his head, was growing impatient. He advised Abraham to skip the questions she had prepared for her client and allow the government to begin with a cross-examination. “Otherwise, we’ll be here all morning,” he huffed. 

“I agree that we could be here all morning,” Abraham replied. “And I don’t see a problem with that.” She noted the considerable pain her client had suffered, and Park relented. For the next 90 minutes, the woman, who wore a puffy jacket and was frequently in tears, described the abuse she had suffered at the hands of her partner, and how, when she went to the police, they refused to investigate. Then the time was up, and they scheduled a follow-up hearing. 

There were 533 names listed, from 16 countries, who spoke 17 different languages. Taken together, a diverse village. All were people the government sought to deport.

“The system really doesn’t want us to be there,” Jagannath told me later. I trailed the attorneys for the week, and watched judges side-eye the number of documents they filed and government attorneys complain about the length of their questioning. The fight was less against a particular judge or attorney; what they were up against was a system with a relentless drive to hurry up and be done. Every part of their defense strategy — the calling of numerous witnesses, the thorough questioning, the extensive documentation of conditions in their client’s home countries — amounted to sand thrown into the gears of the court. 

San Francisco’s lawyers have a reputation for not backing down. Last November, an attorney with the Public Defender’s Office, Kelly Wells, was thrown out of court by a judge when she insisted, while observing a hearing, that an immigrant be granted a competency hearing to determine if he qualified for free legal representation. The judge, Patrick O’Brien — also a former ICE prosecutor — objected. When Wells protested that a federal court order required the hearing, and threatened to file a complaint against O’Brien, the judge ordered her removed by security guards. (O’Brien has since recused himself from the case.) 

Rebecca Jamil is a former San Francisco judge who resigned in 2018 in protest of Trump’s asylum policies. “San Francisco has an incredibly strong nonprofit and private bar community,” she told me. These attorneys serve as watchdogs, a frontline check on Trump’s desire to gut the court, and help explain why San Francisco continues to be one of the best places for an asylum seeker to appear. Since Trump took office, the rate of asylum denials across the country has steadily increased, from 55 percent in 2016 to 69 percent in 2019. Yet these figures obscure wide discrepancies among courts. Last year, 99 percent of asylum seekers in Atlanta were denied; in Los Angeles, the denial rate was lower, at 76 percent. In San Francisco, it was only 31 percent, one of the lowest in the country.

“There is this notion of due process, this arbitrary, ethereal thing that exists on paper,” said Jagannath, who was born in India and grew up in the U.S. South. “But what does it actually mean when it pans out in the courtroom, if it’s not strong and stern advocacy? The system needs a taste of its own medicine.”   

* * *

When Abbas first showed up at immigration court, in 2003, he did so without an attorney like Abraham or Jagannath. A decade had passed since he had arrived in the Tenderloin. Those years had not been easy. He spoke no English, and for the first month he wandered the neighborhood; when he got lost, he’d pop his head inside a liquor store — most were owned by Palestinians. Soon he had a job at one of those liquor stores, working 12-hour shifts, seven days a week, for $800 in cash. He’d close up, get home at 3 a.m., and wake up late the next morning to do it all over again. 

For someone who had suffered intense trauma and was looking for a quick escape, the Tenderloin offered plenty of options. Several months after Abbas started working at the liquor store, he met a young woman who introduced him to cocaine. “That is where all my problems started,” he told me. In 1995, police arrived at the liquor store and arrested him for possessing cocaine with the intent to sell. He was placed on probation, but was arrested again in 2001 for the same charge, and was convicted in 2003 after serving more than a year in jail. Before he was released, he was picked up by ICE and locked up again, this time at the Yuba County jail north of Sacramento. Convicted of what is called an “aggravated felony,” he was now vulnerable to deportation. 

On August 6, 2003, he appeared alone in front of an immigration judge for his final hearing. Abbas, whose PTSD has caused significant memory loss, remembers little of what transpired. He does remember that he failed to tell the judge that his family had been killed by a U.S. missile. “I was afraid he would think I wanted to take revenge on America,” he said. Most significant about the hearing was what was missed: The judge, who had only reviewed the case earlier that day, failed to ask Abbas if he had ever been tortured and if he feared being tortured if he was deported. Saddam’s security forces had beaten Abbas, shocked him with electricity, pulled out his nails, and hung him from his feet. Although his criminal conviction could bar him from receiving asylum, there were no such limitations under the Convention Against Torture, which prohibited signatories like the U.S. from sending people to a country where they were likely to be tortured. Abbas didn’t know this, of course. 

“The number one thing that is relevant is whether Abbas has been tortured before, and the judge never asks,” Ugarte told me. “It just never comes up — that’s what happens when people aren’t represented. They don’t have a real chance, a meaningful opportunity to present their case.”

The judge ordered Abbas deported. The deportation was stayed, however, because Iraq was once again a war zone. Abbas was released and returned to the Tenderloin, but his final deportation order still hung over his head, ready to be enforced the moment Iraq began accepting deportees.

* * *

In immigration court, unlike criminal court, the government does not provide individuals with attorneys. There are those, like Jack Weil, who argue attorneys aren’t necessary. Weil is a longtime immigration court judge who now supervises other judges. In 2015, he claimed that immigration law was simple enough for preschoolers to understand. And yet, here, for example, is a section of an oral decision by judge Gregory L. Simmons, delivered at the end of an asylum hearing I observed:  

On protected grounds, with regards to the PSG I am relying on the original BIA decision for that PSG nexus analysis, and my cite there is—I’m not talking about the Attorney General’s opinion in L-E-A-, I’m talking about the original L-E-A- BIA decisions, 27 I&N, December 40, BIA 2017, at page 45. This is the original BIA decision overruled with regards to cognizability but not to nexus. Court still finds the nexus analysis technically persuasive after the AG’s opinion in L-E-A- 2.

If that means something to you, you’re probably an immigration attorney. The hearing was for Cristina, a mother of three who had fled gangs in San Pedro Sula, one of the most violent cities in Honduras. She testified that her partner, David, who drove passengers in a minibus, had stopped paying members of MS-13 after they doubled their extortion fees. Days later, the gang spotted his minibus in front of Cristina’s mother’s house, where the family had gathered to celebrate the birthday of the couple’s 2-year-old son. David fled in the vehicle as they opened fire; he escaped, but the gang members killed one of their own in the crossfire. Enraged, two MS-13 members showed up at the door, heavily armed and demanding to know Cristina’s whereabouts. Cristina’s mother convinced the men that her daughter wasn’t home, and they fled that evening, reuniting with David and departing for the U.S. Cristina, who had since separated from David, now lived in Santa Rosa, where a community of activists had stepped in to help her find housing and an attorney, Richard Coshnear, who runs a nonprofit in Santa Rosa called VIDAS.  

As Simmons read his decision, the faces of Cristina’s informal support group, almost all elderly women, remained tense as they struggled to decipher his words. Finally, he concluded, “I intend to grant the asylum application.” I looked over at Julie Wall, one of the supporters, a retired Teamsters president who had earlier regaled me with stories about her brushes with Hunter S. Thompson. Tears streamed down her face. She stepped outside to find Cristina’s daughter, Angela, in the waiting room. The 9-year-old had been at the scene of the shooting, and had testified in court about the armed men who demanded to know the whereabouts of her mother.

“We won!” Wall shouted, hugging the girl and dancing in the hallway. “You were our super weapon!” The waiting room broke into applause. Several people, unaffiliated with the group, wiped away tears.  

Trump’s Attorneys General have limited asylum protections for people who are persecuted based on their family ties, just as they have made it more difficult for people fleeing domestic and gang violence. This doesn’t mean that such individuals can’t win. But it does mean that a person must weave together a complicated argument (nexus, cognizability, PSG, or “particular social group”) that to a layperson, much less a person fleeing for their life, is incomprehensible to the point of meaningless. Cristina was fortunate that she had an experienced lawyer who could make meaning of it. 

She likens immigration law to sedimentary rock, in which layers are added with time.

The majority of immigrants seeking asylum in San Francisco are able to find attorneys. Even as the number of cases has grown, the percentage of people appearing at their final asylum hearing without a lawyer has dropped — from 8.8 percent in 2016 to 6.5 percent in 2019, according to TRAC Immigration. (In comparison, last year more than half of all asylum seekers in the Jena court, in rural Louisiana, did not have an attorney at their final hearing; of these, 96 percent were denied.) But finding a lawyer outside the Bay Area is still a challenge. Ana Alicia Huerta, an attorney with the United Farm Workers Foundation, told me that her organization is the only nonprofit that provides deportation defense in Kern County, a vast stretch of land with just over 900,000 residents — the same population as San Francisco — and where one in five residents are immigrants. In neighboring Tulare County, population 466,000, there are only three immigration attorneys.

One morning I noticed a woman seated alone in the corner. Felicia, a 32-year-old with an intense stare, had traveled from her home in Orland, a small town 150 miles north of San Francisco. In 2018, she had fled the region of Tierra Caliente, in the Mexican state of Michoacán, where rival cartels were battling for control. The State Department had issued a Level 4 advisory against travel to Michoacán, the same category given to countries like Syria and Afghanistan; last October, 14 police officers in Tierra Caliente were ambushed and killed. Felicia flipped through photos she had brought to show the judge. In one, a man was crumpled in the driver’s seat of a car, his body riddled with bullets. In another, the body of her friend was splayed on a concrete courtyard, his severed head rested several feet away. 

Felicia entered the courtroom alone and returned 45 minutes later, her asylum denied. She was fuzzy about what had actually happened inside. The judge was not in the room, but appeared via video from a courtroom in Los Angeles, a controversial practice that had been introduced in San Francisco in 2019. The Los Angeles judge, Nathan Aina, quickly gained a reputation among San Francisco lawyers for rejecting almost all asylum claims, earning the nickname the “quiet assassin.” The combination of nerves and confusion over the video proceeding made it hard for Felicia to recall exactly why he had denied her case. There was only one thing she was certain of, she told me. “I cannot take my kids back to Mexico.” 

* * *

The undisputed elder of San Francisco’s court is Dana Leigh Marks, who presides over room 12 on the ninth floor, usually in the company of her service dog, a boxer mix named Joker. Marks, who has curly white hair and sharp blue eyes, began as an immigration attorney in the late 1970s, when she often represented Central Americans who were fleeing violent governments backed by the Reagan administration. In 1986, she argued one of her cases, INS v. Cardoza-Fonseca, in front of the Supreme Court. At issue was the burden of proof asylum seekers had to meet. The government argued that their risk of persecution, if returned, needed to be greater than 50 percent. Marks pushed for a less restrictive standard, citing the language of the U.S. Refugee Act of 1980, which affords asylum protection to individuals with a “well founded fear of persecution on account of race, religion, nationality, membership in a particular social group, or political opinion.” 

Marks became a judge in January 1987, two months before the court issued its landmark asylum decision. They sided with Marks, finding that an asylum seeker needed only to show that “persecution is a reasonable possibility.” In his oral decision, Justice John Paul Stevens suggested an asylum seeker with a 10 percent chance of persecution could be eligible for relief — a standard that remains in effect today.  

I met Marks during her lunch break, after she had heard the case of a middle-aged man from Mexico. Atop her desk was a towering stack of blue files secured with a rubber band. Before we began, she emphasized that she was speaking in her capacity as the president emerita of the judges’ union, called the National Association of Immigration Judges. Union leaders are the only judges allowed to speak to the public. When they do, they tend to be highly critical of the Trump administration, which is likely one reason the administration is currently trying to dismantle the union. (The week before we met, Marks had been in Washington, D.C. to defend the union during a hearing.)

The court, especially under Trump, is a battlefield on which the rules are constantly shifting.

Many of her complaints are the same ones I’d heard from lawyers: The drive for speed is not compatible with a fair court. She swiveled her monitor and invited me to approach the bench. On the screen was her current performance evaluation, updated in real time, based on two goals and six benchmarks set by the government. All but one had to do with speed. The benchmarks were illustrated by graphics that resembled a car’s speedometer. “If you’re in the red, you’re in trouble, and I’m in the red,” she said. Her current ranking is unsatisfactory, because she has failed to finish 95 percent of her cases after the first individual hearing. 

“You walked in as I was sending people out because I ran out of time to complete the case,” she said. Her morning workload has doubled, cutting hearing times by half. If she had ruled on the case, despite the issues that still needed to be resolved, she would drive her performance numbers up, but an appeal would have likely followed, creating more work for the court. Now she had to schedule a follow-up hearing in a month’s time. She doesn’t have any openings on her schedule, so she will have to bump another case — of a person who has already been waiting two years — into 2023. 

Marks told me that her experience allows her to make quicker decisions than many other immigration judges. She likens immigration law to sedimentary rock, in which layers are added with time. “Every once in a while, you have to excavate through all those layers to figure out what rule applies,” she said. “I think it takes no less than five years to really be a comfortable, competent judge.” She pulled up a seniority list of San Francisco judges. Other than Marks, who has been a judge for 33 years, no other judge in San Francisco has yet reached the five-year mark. Six have less than a year under their belt. Contributing to the problem of judicial inexperience has been a wave of resignations and early retirements — including at least three in San Francisco — by judges who oppose the Trump administration’s changes to the court and asylum law.  

“I don’t want to dis’ the new people,” she said. “I think they’re hiring qualified, smart people. But I think they’re being put in an unfair position.” New judges are placed on probation for two years. Every time they log on to the computer, they are reminded that they are being evaluated by how quickly they dispatch cases, and have to respond to the shifting enforcement priorities of the administration. Both the judge’s union and the American Bar Association have called for the creation of an independent immigration court, one that would be insulated from political pressure. 

Before Marks excused herself to walk Joker, I asked about the increasingly widespread use of videos to conduct asylum hearings, which had sparked fierce criticism among San Francisco attorneys. “I am very troubled by it,” she said. “So much of the evidence is based on whether or not you believe someone’s testimony. And I do think there’s a human element where it is much easier to be disconnected from the individual. If you’re going to deport somebody, you should be feeling it, up close and personal.”

* * *

Several blocks from the main courthouse is another, smaller court at 630 Sansome Street. Known as “detained court,” hearings are held here for immigrants locked up by ICE, who participate via video from either the Yuba County jail, north of Sacramento, or a detention center in Bakersfield, Mesa Verde, run by the GEO Group, a for-profit company. In San Francisco, as in many courthouses across the country, detained cases are the only ones that have continued to proceed during the COVID-19 pandemic

Many of the immigrants appearing in this court are longtime residents whose criminal convictions, sometimes from decades ago, have triggered deportation proceedings. There is a desperation here, a sense of futility, as men in orange jumpsuits make brief appearances from far away, nervously squinting into a camera as their wives and children watch silently from the benches, dressed in their Sunday best. 

Mounting a defense while detained is much more difficult than while free, as the cases move quickly, giving immigrants and their attorneys less time to gather documents and prepare a case. It’s a challenge for lawyers to communicate with their clients when they are detained, and conditions inside can be dangerous. In one detained hearing I attended, an attorney had recently discovered that his client, without warning, had been transferred to Arizona, where he now faced deportation in a different court. In the next case, the judge perfunctorily asked a man, who was being held at the Yuba County jail, how he was doing. “Not very good, because a few days ago gang members beat me up,” he said softly. The judge asked if he wanted to continue, the man replied in the affirmative, and the judge continued without further inquiry. Complaints about medical care are also widespread. NPR recently reported that an internal investigation of the Adelanto detention center in southern California, also run by GEO Group, found that faulty medical care “more likely that not” contributed to detainee deaths, and recommended all “at-risk” individuals — which included anyone over 55 years of age — be immediately transferred. (It doesn’t appear the advice was followed.) During the coronavirus pandemic, inadequate medical care and crowding conditions has also led to outbreaks; last month, a federal judge in San Francisco ordered all detainees at Mesa Verde, in Bakersfield, be tested after court documents revealed officials were intentionally not testing people to keep their numbers low.


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Under Trump, the number of immigrants held in detention rose dramatically, to more than 55,000 by last fall, though it has since dropped to about 21,000 due to the coronavirus. This steep pre-COVID-19 increase sparked a backlash in California, where activists recently pressured Contra Costa County, north of Oakland, to stop holding immigrants for ICE. They also pushed for a new law to phase out all private prisons in the state, including those that hold immigrant detainees; that law went into effect on January 1 of this year. Less than two weeks before the deadline, however, ICE signed new contracts worth a combined $6.5 billion for four detention facilities in California, which can be extended for 15 years and could double the number of detained immigrants in the state. 

 

On March 8, 2018, Abbas appeared in front of judge Alison Daw at Sansome Street, hoping to win — at least briefly — his freedom. He had spent the last 10 months at the Contra Costa jail, after being swept up in an ICE raid the previous summer that targeted hundreds of Iraqis with final deportation orders. Trump had campaigned on the promise to ramp up deportations, and he had recently removed Iraq from the travel ban, as long as they promised to begin accepting deportees like Abbas. 

When Ugarte visited Abbas at the jail, soon after his arrest, he found a broken and vacant man. Before his arrest, Abbas had grown close to Jeff Adachi, the late San Francisco Public Defender, who had represented him on a drug charge in 2016. At first, Abbas was a bit confused by Adachi’s interest in his personal life. What was so interesting about a guy who always got into trouble? Yet Adachi, known for his fanatical devotion to clients, seemed able to envision a different, brighter future for Abbas. At his urging, Abbas had stopped using drugs and, with a clear head, began to slowly piece his life back together. He had finally moved out of the Tenderloin. He had a new girlfriend, LaDawn, who he had helped extricate from an abusive relationship. He had Adachi in his corner.

And then, just like that, he was back in trouble again. 

“Get me out of here,” Abbas pleaded with Ugarte. “Just get me on a plane and I’ll go home.” Ugarte was taken aback. “I can still hear his voice,” he told me. “He was so desperate. It was a suicide wish, really.” 

Ugarte told Abbas to hold on, that it was too early to give up. The ACLU of Michigan, where many of the arrested Iraqis lived, had filed a federal lawsuit to halt the imminent deportations. Soon after, a federal judge granted a temporary injunction against the deporations. This gave Ugarte the ability to file for a bond hearing, in which he could argue for Abbas to be released, as well as an opportunity to reopen the original case.  

Abbas’ first victory was at the bond hearing. To determine whether a person can be released as their case proceeds, judges are supposed to consider whether they pose a public danger or flight risk. Under Trump, the rate of bond denials has increased, but the judge agreed to release Abbas on two conditions: that he report directly to a residential treatment house, and never step foot in the Tenderloin again (he was outfitted with an ankle monitor). He spent two months at the Walden House, in the Haight-Ashbury neighborhood, where he was diagnosed with PTSD and received the first mental health and substance abuse counseling of his life. 

The second victory came when the Board of Immigration Appeals ruled in favor of Abbas. This sent his case back to immigration court, to be heard by a new judge. Which is where I met Abbas, knee bouncing wildly in the waiting room, as he prepared for his final hearing to begin. 

 

A few minutes before 1 o’clock, Abbas walked down the hallway and entered Courtroom 3, accompanied by LaDawn. Inside, he took the witness stand and was sworn in by Judge Elizabeth Young, considered a veteran even though she was only appointed in 2016 during the Obama administration. Handling the initial questioning was Ugarte’s colleague, Nuha Abusamra, an Arabic speaker who had worked closely with Abbas to prepare for the hearing. Opposite her was the attorney for ICE, who informed Ugarte she would not appeal Young’s decision if she ruled in favor of Abbas — another good sign.

For 20 minutes, Abbas answered Abusamra’s questions, detailing his torture in a quiet but steady voice through an Iraqi interpreter flown in from Denver. When he described finding the corpses of his family members after the missile strike, his voice finally cracked. Young stepped in. Earlier, she had said that she didn’t believe Abbas needed to recount every traumatic experience, but to focus on his past torture and why he feared returning. “Let’s try not to make it overly emotional for the respondent,” she said now. “I don’t want a long drawn-out trial where he’s weeping the entire time.” 

This turn of events seemed to catch Abusamra and Ugarte a bit off guard, as they had prepared Abbas for a long, detailed, and wrenching experience on the stand. Instead, Abusamra moved on to the reasons Abbas feared returning to Iraq, and then turned it over to the government attorney. She only had a few questions, mostly to confirm that Abbas had no living relatives in Iraq. Abbas stepped down from the stand and took his seat between Ugarte and Abusamra. Ugarte closed with a final sentence. “It’s a miracle Abbas is alive today.”

Young looked down at her desk, shuffled through papers, and looked up at Abbas. “I am granting you deferral of removal under the Convention Against Torture,” she said. Next to me, LaDawn, who had been noticeably shaking throughout, began to weep. Ugarte embraced Abbas, who was now crying as well. Young had remained judgelike throughout, stoic and difficult to read. Now she let a smile escape. “Congratulations,” she said, “and I wish you the best of luck.” 

Afterward, the group, which included two volunteer observers who had come to support Abbas, gathered in a small room to debrief. Abbas appeared dazed. “I’m done with court?” he asked. It was true, Ugarte confirmed. He could now get his ankle monitor removed. He could get a work permit. He and LaDawn lived in a noisy hotel in the Mission district, where they paid $1600 a month to share a bathroom that was often littered with the used needles of other residents. They could move out of San Francisco, to someplace quieter and cheaper. For some reason, the image of a life on a farm in Louisiana had lodged in Abbas’ head. 

Later that day, I talked to Ugarte over the phone. The fight to protect Abbas had lasted more than two years, and he was ebullient. “Today is one of those days when you believe in the system,” he said. But it, of course, was not so simple. Abbas would not be deported due to a long string of fortunate breaks: Abbas had met Jeff Adachi; Adachi had sent Ugarte to visit Abbas in detention; the ACLU had filed a lawsuit to temporarily halt the deportations of Iraqis; a judge had granted the injunction; Ugarte’s subsequent appeal had been successful; another judge had allowed Abbas to be released; the ICE attorney hadn’t been hostile; Judge Young was sympathetic. It was certainly miraculous that Abbas was not going to be deported. Which was another way of saying that the system is broken beyond repair.

 

Gabriel Thompson is a journalist in Oakland and mostly writes about immigration, labor, and organizing.

 

Editors: Katie Kosma, Cheri Lucas Rowlands
Fact-checker: Julie Schwietert Collazo

Thursday, 20 August 2020

How to Learn Everything: The MasterClass Diaries

Irina Dumitrescu | Longreads | August 2020 | 5,406 words (21 minutes)

When I was a teenager I read James Thurber’s Secret Life of Walter Mitty. I fell in love with this story of a meek, middle-aged Connecticut man whose daydreams afford him temporary escape from a dreary shopping trip with his overbearing wife. Maybe it was because I was an incorrigible daydreamer too. Or maybe I read in his fantasies of being a fearless Navy commander, a world-famous surgeon, or a brandy-swilling bomber pilot a sense of my own opportunities in life, at that point still wide open if you left my gender out of it. Unlike Walter Mitty, I could still learn anything, be anyone.

With time I found a calling, studied for a doctorate in medieval literature, published a book only a handful of people would read, and gained a longed-for professorship. But new desires arose. I discovered I want to write books for more than five readers, and that doing so is remarkably hard. I started to feel afraid of being trapped in one role for the rest of my life. That sense of endless possibility I once had was slipping away.

One day, when MasterClass sends its millionth paid ad into my Facebook feed, I decide this is the answer to the Walter Mitty lurking inside me. MasterClass seems to offer everything: from writing seminars with over a dozen famous authors to celebrity-driven inspiration to take my hobbies further. Clearly, all I was missing were the right teachers, filmed professionally and beamed into my living room. I may not become a surgeon or a pilot, but what if the renaissance woman I’d hoped to be is just a $200 subscription away?

* * *

It’s October 2019, and I begin with Malcolm Gladwell. The funny thing about these courses is that you have a relationship with the teachers already — or at least with their reputation. Gladwell has a host of detractors. He’s been reproached for oversimplification and vast generalization, for illogical arguments and a lack of critical thinking. A book reviewer once wondered why Gladwell didn’t “hold a tenured professorship at the University of the Bleedin’ Obvious.” But nobody questions Gladwell’s ability to write. He is the small-town Canadian boy who made it to the New Yorker on the strength of catchy ideas, brilliantly told. I have been reading his books, sometimes despite myself, for years.

Gladwell teaches his class in a cozy space that looks like a cross between a bar and an apartment. A chess set on a low table behind him suggests something intellectually challenging could happen, but no worries, strong drinks will be served. Ever the model pupil, I open a fresh notebook and write down every other sentence Malcolm says, intent on letting no insight or bon mot slip my attention. I spend so much of my life teaching that it feels like a treat to be a student again, waiting to be filled up with wisdom. It helps that Gladwell is wry and quietly charming, his self-effacing good humor belying a deep seriousness about the calling of writing. More importantly for me, he offers a lot of practical advice — nitty-gritty tips for conducting interviews, structuring articles, and building characters.

I may not become a surgeon or a pilot, but what if the renaissance woman I’d hoped to be is just a $200 subscription away?

Having so much concrete information about how he goes about his work makes me feel confident that I could do it too. Suddenly, this all seems possible. I will become a fantastic writer! I will publish features in the New Yorker and give entertaining talks to sold-out auditoriums! David Remnick will invite me to dinner and I’ll have everyone in stitches with my anecdotes! Pass the butter!

Most exhilarating for me is Gladwell’s approach to imperfection. “What you find interesting is not perfection,” he explains. An imperfect moment in an essay irritates readers just a little, like “red pepper,” but keeps them thinking and talking about it. Gladwell appears generous, providing his audience with surprises and space to draw their own connections. But he’s also happy to make promises he won’t keep, or to force an unwieldy argument together with writing. His way of working is wildly unlike my good-girl academic mindset, but it seems suited to getting things done. “The task of a successful writer,” he says while arguing for bad first drafts, “is to lower the bar.”

Of course, it is one thing for your writing buddy to tell you to embrace your imperfections and slam out a crappy draft, and another for Malcolm Gladwell to do it. Success creates its own truth. This is the MasterClass formula: once a person is famous enough they acquire a charismatic glow. Their counsel is prudent, their past decisions are justified, and their jokes are funnier, too.

* * *

Gladwell’s MasterClass leaves me energized. Writing seems more manageable now, simply a matter of the right tools and attitude. I decide to work on one of my weak areas. Due to a series of curious life choices, I trained to become a scholar and teacher but wound up spending much of my workday carrying out managerial tasks. MasterClass is ready to help me, however, with a course by Anna Wintour on “Creativity and Leadership.” There is a cheekiness to offering advice on how to deal with employees when a hit movie has been made about your notoriously demanding — if not outright callous — management style. Then again, maybe I could use a bit of that Wintour ruthlessness, or what might be called “decisiveness” if she were a man.

The course introduction confirms my suspicion that its appeal is as much about offering a glimpse of the woman behind the mysterious sunglasses as it is about learning how to deliver negative feedback. Sitting in a discreetly lavish apartment, and wearing a stunning green dress with bulky statement jewelry, Wintour describes her vertiginous rise to the top — from somewhere remarkably close to the top. She learned the ropes from her father, Charles Wintour, editor of the Evening Standard in London at the time. (She leaves out the part where he arranged her first job at Biba, a trendy fashion store.) Much of the course revolves around Wintour’s comfort with risky decisions, even if they are wrong. She deals with her mistakes by owning, acknowledging, then moving briskly past them. It sounds like excellent advice for people cushioned by money and an astounding network of connections. By the time Wintour says, “act like no one’s telling you ‘no,’” I want to ask her if anyone ever did.


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The most depressing thing about Wintour’s advice is that it is not wrong. “Own your decisions,” she says, “and own who you are, without apologizing.” It’s just that most people do have to apologize at some point in their lives. (If they are Canadian, like me, they will apologize to complete strangers simply for disturbing the air in their general vicinity.) I want to see a visionary describe how they wrestled with mistakes that had real consequences. Wintour’s suggestion to give direct feedback does give me the courage to have a frank conversation with an employee, and we are both better off for it. But I wonder how her life lessons could possibly translate to someone else’s reality.

The name MasterClass also increasingly bothers me. I remember when I first saw the term (as the two-word “master class”) on a poster in graduate school. A musician friend explained that a visiting eminence would work with one of the students on stage, correcting and training them right in front of an audience. It sounded horrifying, but my friend said it was an honor to be chosen for this kind of specialized attention.

Was there a more sinister urge that made “master class” such good branding for a course? I suspect that the name appeals to people because it promises not just expertise, but power.

Over the years, I began to see all kinds of things called master classes, not just intensive live workshops for people who already had a thorough grounding in their field but online introductions to topics like social media marketing and meditation. Why couldn’t people just take classes, I wondered, especially when they knew nothing about the topic? Were they worried about feeling like a child again, afraid of admitting their own ignorance? Was there a more sinister urge that made “master class” such good branding for a course? I suspect that the name appeals to people because it promises not just expertise, but power.

* * *

It seems easy to turn into a success story when you start out young and privileged. I want to watch a self-starter, someone who had to figure out how to practice their craft on their own. Enter Werner Herzog, who materializes on a dark, empty film set, wearing a green Bavarian-style jacket with elbow patches. Herzog begins with his childhood: the bombing of Munich, his escape with his mother to the mountains, living with no running water and only occasional electricity. “I did not see films until I was eleven,” he says, “in fact, I was not even aware that cinema even existed until I was eleven.” I know there is some legend-polishing here, especially when he mentions the bombing again in the second video, but it’s a more appealing myth than the well-connected London girl who becomes editor of Vogue in her thirties.

Herzog has the air of a professor who has cultivated his eccentric persona for so long that he can now let it do most of the work. His voice alone, at once hypnotic and foreboding, brings me back to evenings in grad school when my German boyfriend did his best to introduce me to the highlights of the Herzog film corpus. Lessons of Darkness, Fitzcarraldo, Grizzly Man — we watched these masterpieces on his laptop in bed. I usually fell asleep after about 20 minutes, occasionally waking up just enough to be confused by a burning oil field or a screaming Klaus Kinski. Still, that boyfriend became my husband, so I have a soft spot for old Werner. I don’t need him to make sense or teach me anything practical. I’m not going to make a movie. I’m just hoping to absorb some of the unflinching resolve of a man who once ate his own shoe after losing a bet.

Although the course is aimed at budding filmmakers, much of Herzog’s advice applies to making art in general. It helps that he speaks in enigmatic aphorisms: “you have to know, you have to know, that you are the one who can move a ship over a mountain.” It also helps that he cares very little about the standard ways of doing things or about the rules of a particular medium. Herzog’s advice is to search for inspiration in a wide range of music and books, to gather nuggets that can be reshaped into a snippet of dialogue or an unusual camera angle. I love this, probably because it confirms so many of my own beliefs. “Read, read, read, read, read, read, read!” he intones, and laments all the prestigious film-school students he meets who do not read and are doomed, as he puts it, to be “mediocre at very best.” Could I make my own students watch this? Could I show them Herzog reading the opening of the Poetic Edda out loud, explaining how its laconic description of the creation of the world and the birth of the gods helps him edit his scenes?

There is a gossipy appeal to watching famous people play an avuncular version of themselves, but I’m not sure what I can really learn from them.

My semester is shifting from intense to overwhelming, so I watch much of the course while folding laundry or cutting vegetables for dinner, chuckling at reliably absurd Herzogisms. My notebook and pen are always close by, but my notes wind up as cryptic as his movies. What is the iguana? The Swiss chocolate? Why have I written down “20 milking cows”? Something penetrates my distraction, though: the intensity of Herzog’s belief in his own films, and by extension, in the power of great art. Although I teach literature for a living, I rarely hear my fellow scholars talk about why creative work matters. And seldom does anyone venture a judgement about the quality of a book or a poem. It seems like it would be overstepping our boundaries to call something “excellent,” or “middling,” or even “bad.” We are deft at dissecting novels and plays, pinning down their references and ideologies and unresolvable tensions, but not particularly good at putting things together. I realize at this point how ill-suited years in the academy have made me for making art.

My husband walks into the room at one point and watches a few minutes with me. “With Herzog you get the feeling that he absolutely does not censor himself,” he says quietly, “No self-doubt. He totally trusts his own judgement.” Mired as I am in endless discussions with my inner critic, I find something beautiful about Herzog’s assurance in the brilliance of his own work — even when it is, let’s be honest, kind of awful. A deep belief in my writing would give me the freedom both to make a mess on the page and to edit it ruthlessly. Herzog seems to be speaking directly to me when he says that “there’s something much bigger than your own quest for perfection: your own quest for inner truth.”

* * *

Three months in, the MasterClasses are beginning to frustrate me. There is a gossipy appeal to watching famous people play an avuncular version of themselves, but I’m not sure what I can really learn from them. Am I ever going to be the editor of a fashion magazine? No. Am I ever going to direct a movie in Antarctica? Actually, come to think of it, even that’s more likely than the fashion magazine. I want something within reach, I want a celebrity to teach me something I can actually try to do. I have spent untold hours watching Gordon Ramsay tell people what they’re doing wrong in the kitchen — now it’s time for him to show me how to do it right.

In order to do Gordon’s cooking class full justice, I prepare a full dinner spread and bring it to the couch on a tray. I have baked frozen miniature spring rolls and jalapeno poppers in my oven, which at this point has had a broken thermometer for about four months. For a touch of class and nutrition, I also have fresh radishes. And a cold beer. It is some sight.

The class is set in Gordon Ramsay’s kitchen, which is spacious, sunlit, all marble and polished steel, and filled with jars of fresh herbs. Through the window we catch a glimpse of a manicured lawn, a backyard pool, and behind it a gently rolling Cornish hill. This kitchen is possibly the most pornographic thing I have ever seen. I try not to think about my own kitchen, which my husband and I outfitted in a hurry when we moved into our bare apartment, as you have to in Germany. The cabinets were the cheapest available from Ikea, and we bought them second hand. We got our fridge from someone who had used it to store raw meat for his dog. All of it began falling apart immediately.

Ramsay is annoying at first. He repeats himself a lot. Everything is “unbelievable.” At one point he demonstrates how to choose good produce, picking up flawless baby vegetables from a tray in front of him and showing them to the camera. (“Unbelievable!”) I think about how I could not buy those vegetables even if I had the time to seek them out in my city. But as I let the videos roll on, I start to find him charming. I have watched Ramsay play a dour taskmaster in a series of television shows by now, but here he has the enthusiasm of a labrador retriever. He explains how to lovingly brush carrots with toothbrushes instead of peeling them (confession: I will never do this), and describes herbs as being like “a lady putting perfume on.” Then he demonstrates how to sharpen knives and I’m off to the races.

I have a decent set of knives — a remnant from my childless twenties, when I did footloose things like take the free knife-skills classes offered at Williams-Sonoma. The day after beginning Gordon’s course, I go on a hunt for my knife sharpener, which finally appears behind an entire regiment of mismatched tupperware. I spend a meditative afternoon sharpening my knives, testing each one by slicing it through a piece of paper I hold up in the air. At one point my son and husband walk into the kitchen, see me with all the knives, and quietly slink out again. I feel powerful. My knives are sharp. I can cut things again. I resolve to use my honing steel every time I cook, with the exact up-and-down movement Gordon taught me. It gives me the feeling of being a kitchen warrior.

I have come to suspect that MasterClass will put any celebrity in front of a camera for a few hours and call it a course.

Gordon’s is the one course I don’t watch in order. Instead, I pick the recipes I think I can manage given the state of my oven. I decide to attempt the poached eggs and mushrooms on brioche. To my surprise, my local discount supermarket carries brioche buns, most of which my delighted son eats before we make it to breakfast. I get up on Sunday morning, make myself a pot of coffee, review the recipe, and cook alone for an hour. The result is not perfect. I oversalt the mushroom-and-bacon mixture. My eggs come out a bit harder than I would’ve liked. It has been so long since I have poached an egg that I’ve forgotten how to do it.

But the time spent in the kitchen, learning some new techniques and remembering others, brings me back to the early days of my relationship to my husband. There was a time in our lives when we would spend an entire weekend day trying out a new recipe, or experimented with poaching eggs three different ways to see which method was best. Now we put eggs in water with a tiny mechanical device that plays “Killing Me Softly” to let us know they are soft-boiled. You could say our standards have fallen. But on this particular day, we eat so much brioche with protein on it that we are unable to move for hours. I’m not sure what makes me feel younger, trying out a new recipe or spending an entire day doing nothing afterwards.

Emboldened, I take on experiment number two: lobster ravioli. Fresh lobster would be impossible to get, but I look up a vegetarian filling with spinach, ricotta, and pine nuts. Nor can I find the correct Italian flour, so I settle for the most promising alternative. But life intervenes, and by the time I have a few hours to make fresh pasta, most of the eggs have disappeared from the fridge. I decide to make a smaller batch, with the wrong flour, just one egg, and a bit of oil and water — after all, I think, surely an Italian nonna could make do without the ideal number of eggs? The dough turns out tough, and my wrist hurts trying to soften it, which seems far from the sensuous experience Gordon is having as he expertly kneads his pasta dough in the video.

My son comes to the kitchen to see what I am doing, and I convince him to join me. He tries to knead the pasta with his little hands, helps me roll out the dough and run it through the pasta machine. Sometimes he loses interest in the work but likes staying close to me, and I find it comforting to feel this small, curious creature by my side. At one point he insists on making a dough of his own out of flour and water, which I am to fry for him. After three hours of labor, we manage to produce a grand total of ten ravioli filled with spinach and ricotta; in all the excitement I forgot to add the pine nuts. We supplement our small dinner with my son’s fry bread, cut in half and smeared with cream cheese. Making and shaping the dough has been so pleasurable that we don’t mind that we got almost every part of the recipe wrong and had very little to show for our efforts. In the weeks that come, my son and I make pasta again, screwing it up even more thoroughly, and having even more fun.

* * *

The idyll does not last long. My life is increasingly taken over by work. In January, I am part of a grant renewal application that involves a two-day inspection by a crew of visiting scholars, a process in which millions of Euros of funding are at stake. I remember that I am, in fact, expected to demonstrate mastery at my job. In my morning shower and before I fall asleep at night, I practice answers to potential questions, working out what impressive German abstract nouns I need to survive this experience. I try to cultivate an air of confidence, but worry it might be coming out more Herzog than Wintour. But the questions we get are not the ones I practiced, and by the end of the ordeal my project is booted out. I travel to my hometown to teach for a few months, and the hassle of settling in helps me put the failure out of mind. Then, a few weeks later, I learn that someone I trusted has spread a damaging lie about me. My stomach drops. I feel rage. Then I feel as though I have left my body altogether. A day later, my lower back spasms. I wind up immobile in bed.

I had planned to learn tennis with Serena Williams or do barre with Misty Copeland, but here I am in a rented house in a rented bed, moaning in pain if I turn as much as an inch. Propped up against pillows that do little more than fix my body in the least excruciating position, I have little patience for books or even television. Then MasterClass sends me one of its emails, and I can barely believe my eyes: it’s RuPaul.

I have come to suspect that MasterClass will put any celebrity in front of a camera for a few hours and call it a course. This particular class is only nominally about drag: it claims to be about “Self-Expression and Authenticity.” This is convenient, because covered with heating pads and smeared with a variety of pungent salves, I’m not in much of a position to try and look fabulous. Still, I would watch RuPaul explain the finer points of installing drywall, so I click the button to join.

By this point, I have realized that there are two kinds of teachers. Some focus on transmitting their skills. They seem to be saying to the student: “this is how to do what I do.” Others offer themselves as models to be imitated: “this is how I became who I am.” Many MasterClass instructors pretend they are selling the former while in fact delivering the latter. RuPaul doesn’t even pretend. Dressed in a carmine suit and seated against a black-and-neon set reminiscent of Studio 54, RuPaul talks about some of the most basic challenges of growing up in the world. He describes the course of his career, the role artistic inspirations played in his life, the challenges of addiction, criticism, and just plain being ignored. I take no notes — I physically can’t. But I am moved by RuPaul’s vulnerability, a refreshing change of pace after the unrelenting cockiness of the other teachers. Instead of presenting himself as magnificent from the get-go, brave and destined for greatness, he comes across as a human being who had been broken but helped along his way by kind mentors, friends, and a lot of therapy.

Here is something bracing to think about: it is hard to learn how to be yourself.

The other MasterClass teachers seemed impervious to criticism, able to brush it off with a knowing smile. But what do you do when you are not born that way, or if you have been brought up to value the opinions of others, sometimes to a fault? In one episode, RuPaul describes the unquenchable hunger of bullies to feed their fragile egos: “The only time they feel visible is when they create pain.” I reflect on how attached I still am to what people think of me, and how hard this makes it to distance myself from the hurt they cause even when I know they act out of their own self-loathing. RuPaul’s answer is to focus on finding what he calls “your natural frequency, your natural energy source.” Incapacitated, I can muster little of my usual cynicism about talk of “energies.” Besides, I like what he seems to be getting at. Maybe the secret to freedom is not to emulate the bravado of a few wildly successful people, but to tap into what feels true. According to RuPaul, doing so will draw other people with a similar energy to yours, but, “like a garden, it takes managing. You have to cultivate it.” Here is something bracing to think about: it is hard to learn how to be yourself.

I binge-watch RuPaul’s MasterClass late into the night. I am only half-focussing when a story breaks through my daze. RuPaul recalls his parents divorcing when he was seven. His father had custody on the weekends, and every weekend, little RuPaul would sit on the front porch waiting for his father to pick him up. His father never came. RuPaul looks straight into the camera and speaks softly now, to the child he somewhere still is: “Baby, that had nothing to do with you.” I think of my father, who left my life eight years ago, who is now just an hour’s drive away, and who I know I will not see. I think about the grandson he has never met. I am fuzzy on the details, but this may be when I begin weeping like a baby. Ru breaks down too as he describes his own journey to sobriety. And there we are, two people separated by a screen, crying together in the dark.

* * *

Half a year after starting my MasterClass adventure, I am a different person from the eager pupil who scribbled down every pearl of wisdom from Malcolm Gladwell’s lips. I am disappointed in other people and — in a distant way I cannot quite place — also in myself. I wish I were stronger, or easier to transform. My back still hurts. And if that were not enough, I have returned home to voluntary quarantine. Now, instead of a fun distraction from everyday life, the computer is my only point of contact with the rest of the world. I cannot bear to see more people talking on the screen, but there are not too many other places to go.

As the global pandemic unfolds, MasterClass shifts its offerings with uncanny acumen. Instead of promising me greatness, the ads in my inbox invite me to take what seem like a humbler course: gardening. The instructor, Ron Finley, is a fashion designer turned urban-gardening advocate. MasterClass pitches him as a “gangsta gardener,” and he offers fresh, zen koan-like takes along the lines of “Air is gangsta as fuck” and “When Bambi dies, or some shit… no one buries it.” At first, I ignore the ads. I have no green thumb. My rap sheet includes a long list of potted herbs, houseplants, and even cacti that I have, by some amazing level of neglect, managed to dry to death. In the past 20 years I have moved through a variety of dorm rooms, house-sits, and rental apartments in three countries. How could I grow something when I have barely put down roots myself?

As the global pandemic unfolds, MasterClass shifts its offerings with uncanny acumen. Instead of promising me greatness, the ads in my inbox invite me to take what seem like a humbler course: gardening.

The ads keep coming. One night, I have a dream about planting a garden. Then I get flashes of another version of myself: a teenager tending to the front and back yards of my family home. I had the boring chores of raking leaves and mowing the lawn, but I also grew flowers and pulled weeds and cared for a bed of strawberries. I remember now how I used to pore over seed and bulb catalogues, calculating the amount of sun each part of our yard received, imagining how I could replace our lawn with a glorious cacophony of color, if only my parents would fund the project. I never did manage to plant the garden I dreamt of. One bad spring my mother spread grass seeds all over my flower bed, and in my anger I gave up gardening altogether.

I start the course.

Finley is charismatic and funny and, wouldn’t you know it, down-to-earth. He’s not precious about gardening, a point he makes by showing how to turn a wooden dresser drawer into a makeshift planter. The course itself is not so much a master class as a basic introduction to keeping a plant alive. Finley stands behind his big wooden table and rubs different kinds of soil between his hands to show how to recognize the good, loamy kind that plants will flourish in. He gently eases seedlings out of their pots and pats them into the ground, pokes holes with his finger, and pops in sugar snap peas. Given that I haven’t touched a bag of soil in over two decades, this is what I need.

Between little jokes like “size does matter… in a garden,” Finley slips in an entire philosophy of being in the world. He describes building a relationship to plants as a way of connecting to one’s body, one’s environment, to life itself. Learning to care for plants, he says, is a way to learn to care for yourself. As he shows how to loosen the roots of a nursery plant or divide a sprouted sweet potato, Finley calls attention to the creative force deep inside all living things. “Plants want to grow, they wanna live, they wanna thrive,” he says, and I’m enchanted by the potential of survival he sees in a part of life I had wholly overlooked. I can’t remember looking at a plant and not seeing a future reproach.

In my happiest moments of creation, I have experienced this sensation of standing by as a mysterious energy unfolded itself according to a plan all its own.

Watching these videos makes me want to nurture something. I run to my kitchen and pick up a pot of fragile supermarket parsley. I pick off the dry leaves, then water it. A few days later, it has perked up. I gain courage. That weekend, I go with my family to a garden center, where we don our masks and look through fogged glasses at a bewildering variety of soils. We spend hours on our balcony, mixing soil with fertilizer, planting a cut-off wine barrel full of kitchen herbs. In other pots, we give a tiny strawberry seedling and a tomato plant a chance next to some sprouted onions from the pantry that I have learned how to divide on YouTube. In the days that follow, the three of us are stupidly happy. We go out on the balcony, stare at the plants the way parents watch sleeping newborns, call each other to witness how quickly they have grown. Then, what begins as an experiment turns into a minor obsession. Flowers and a miniature olive tree join the herbs. We plant peas and potatoes, and my son and I try germinating seeds for herbs we could not find in the store. There is no special talent here: it is an ordinary hobby, but that does not dull its wonder.

As I observe our seedlings take root and flourish, it dawns on me how little power I have over their growth. I can provide them with a fertile space to be. I nurture, prune, and guide them as necessary. I can destroy them through neglect or poor decisions. But I do not make them what they are. In my happiest moments of creation, I have experienced this sensation of standing by as a mysterious energy unfolded itself according to a plan all its own. It is what being pregnant felt like. It is also how some essays have come to me, in full bud and pressing to be written down.

More often than not, though, making things in the world feels like slamming dead clay on the ground, hoping that enough force might shape it into something beautiful. It occurs to me that what I have to learn in my little balcony garden has nothing to do with mastery. As I watch the cilantro and the basil and even the sad supermarket parsley take root, I feel that I am coming back to myself, to a part of me I had forgotten. Here it is at last: something new.

***

Irina Dumitrescu is an essayist and scholar of medieval literature.

Editor: Ben Huberman

Wednesday, 19 August 2020

Fire/Flood: A Southern California Pastoral

Yxta Maya Murray | Longreads | August 2020 | 4,990 words (20 minutes)

 

— with thanks to Dr. Alex Pivovaroff

1.

Chaparral spreads its hard, green shine over the hills and valleys of Southern California. This tough-leafed shrub community established itself as part of the local plant landscape millions of years ago. It flourishes during the area’s rainy springs, and survives droughts by plunging its sturdy roots deep into granite bedrock, which can hold a surprising amount of water.

Chaparral also bears a reputation for fire. These plants have adapted to the types of blazes Southern California’s semi-arid landscape has historically endured, and some varieties of chaparral evolved a literally incendiary mode of survival: their seeds need to burn in order to sprout. After wildfires scorch the land, the chaparral bursts into a glossy biome, hosting fire-follower poppy blossoms that fan out over the blackened hills.

2.

Los Angeles has always lacked an adequate supply of indigenous water.

This problem brings out the worst in its settlers, who adapt to the landscape with as much scorched-earth ingenuity as does the chaparral.

3.

Los Angeles incorporated in 1850, two years after the end of the Mexican-American War. That year, government officials calculated that the city possessed a population of 1,610 white people, 70 Native people, 12 black people, and 2 Chinese people.

The city soon became a magnet for farmers, ranchers, and entrepreneurs, many of whom made their fortunes by supplying California Gold Rush miners up north with beef, sugar, flour, and mining equipment.

In order to distribute the waters of the flowing Río Porciúncula — now known as the Los Angeles River — to the agricultural lands to the west, Spanish settlers outfitted the river with a zanja madre, a “mother trench.” Women and Indigenous servants would carry water from the river to households in clay pots called ollas.

These efforts did not do enough to quench the ever-growing thirst of Southern California.

4.

In 1836, Don Rafael Guirado, one of Los Angeles’s most powerful citizens and the future father-in-law of Governor John Downey, determined that the water level in the Río Porciúncula’s zanjas had ebbed too low. He instructed the local council to gather a group of deputies to arrest all “drunken Indians” and compel them to work on the mother trench, whose waters were fouled with debris as well as bacteria and viruses. Overseers commanded that the slaves increase the water output of the zanja system through unspecified measures. No records detailing these people’s sufferings survive.

In late 1862 and early 1863, smallpox tore through Los Angeles’s Native and Mexican communities. The epidemic spread when victims washed in the polluted water in the zanjas. At least 200 people died.

5.

In 1866, jurors in Los Angeles acquitted a French immigrant named Armand Michel Josef Lachenais of the murder of a fellow countryman named Henry Delaval, with whom he’d argued about the internal workings of the French Benevolent Society. Lachenais later also murdered a Native vineyard worker, Pablo Moreno, but the California Supreme Court tossed his conviction because his indictment had been based on the testimony of Native witnesses. Local gossips whispered that Lachenais also slaughtered his wife, Doña María, but prosecutors never brought charges against him for this crime.

Still, Lachenais went too far when, in 1870, he quarreled with his neighbor, a 53-year-old Pennsylvanian and industrious capitalist named Jacob Bell, over the withdrawal of water from a zanja installed on their lands’ border. After the two men traded angry words, Lachenais grabbed his gun and mounted his horse. He then stalked Bell and shot him two or three times, killing him. Lachenais was arrested and secured in the local calaboose, but a vigilance committee descended upon the jail and tore Lachenais out of his cell. This armed mob — at least 200 men strong, and whose leaders included a Methodist preacher — hauled Lachenais to a corral on New High Street. A Samaritan leapt on top of a wooden box and attempted to preach against a lynching, but the vigilantes kicked the box from under him only to use it to prop Lachenais beneath the corral. The men strung a rope around Lachenais’s throat and removed the box. They watched as Lachenais strangled to death.

6.

In 1898, hot winds aggravated a prevailing drought that scoured the 48-year-old city of Los Angeles. Sugar beet crops shattered. Grain yields perished. Conditions grew so extreme that, a year later, Methodist ministers in Los Angeles “invoke[d] the god of storms” and asked the heavens “why he ha[d] withheld rain from the thirsting fields of Southern California.”

Severe drought conditions persisted off and on in Los Angeles for the next six years. The dryness did not discourage newcomers. In 1900, Los Angeles’s population grew faster than that of any of the larger cities in the United States.

In 1902, Southern California’s booming sugar beet industry braced to supply 165,000,000 pounds of sugar to the Pacific Coast states. But the drought threatened the harvest. Factories built new irrigation systems and sank artesian wells. Nevertheless, water demands continued to outstrip supply.

In 1902 and then again in 1904, cattle began to die.

The drought which has continued through Southern California for more than three months just at the season when under normal conditions there is the most plentiful supply of water, is becoming a serious matter to ranchers and particularly to owners of livestock . . . . No rain has fallen here since October 1. (The San Francisco Call, January 12, 1904)

7.

In 1904, the same year that the newspapers reported livestock losses, onetime Los Angeles Mayor Fred Eaton began to wrest water rights from Owens Valley landowners through a series of dark deals. Though Owens Valley sat 250 miles away from L.A., Eaton had discerned that the Owens River could be funneled down easily to his city on account of the Valley’s 4,000-foot elevation over the desert. He traveled through the area, visiting farmers and ranchers, and soon began negotiating prices and terms. Eaton was accompanied by his friend and co-conspirator J.B. Lippincott, the supervising engineer of all Pacific coast irrigation projects administered under Teddy Roosevelt’s Reclamation Act. Lippincott, who acted as a double agent during these tours, led Owens Valley men to believe that Eaton acquired their sun-seared properties for Reclamation purposes, rather than as part of Eaton’s plot to steal their water for L.A. For nearly a year, Eaton managed to keep his plans secret even though his machinations were supported by famous oligarchs like Harrison Gray Otis, the owner and publisher of the Los Angeles Times, and transportation tycoon Moses H. Sherman.

Eventually, though, the word got out.

Los Angeles Plots Destruction, Would Take Owens River, Lay Lands Waste, Ruin People, Homes and Communities, a small Owens Valley newspaper headline declared in 1905, prompting widespread community protests.

Eaton was a stubborn man, and he continued fighting for his vision of an Edenic Los Angeles despite the outrage. A designer named William Mulholland would fulfill his vision, overseeing the construction of the new, huge aqueduct that would divert the Owens River to the city and prove the Valley newsmongers right.

8.

William Mulholland was a well-built and laconic Irishman who had arrived in Los Angeles by way of Pittsburgh in 1877. He began his career as an energetic ditch-digger and gold prospector. Soon enough, he rose through the Los Angeles City Water Company’s ranks to become superintendent, overseeing the workings of the zanjas, and became head of the Department of Water and Power when the city took over the water system. When he began building the aqueduct in 1907, he was 52 and possessed no formal engineering education.

William Mulholland hired a crew of 5,000 men who spent the next five years working with hand shovels, mules, and dynamite to raise the 230-mile system, which became the world’s largest water-supply project at the time. They finished the aqueduct on time and below cost. When Mulholland unveiled the marvel at a ceremony in Sylmar in 1913, he looked up at the Owens river coursing down through the San Fernando Valley and said to the crowd, “There it is, take it.”

Still, the business of large-scale water diversion would not be that simple. Owens Valley farmers and ranchers, who found their lands destroyed by the withdrawal of the river, rebelled. They dynamited a section of the aqueduct in May 1924. Then, that August, renegades kidnapped and prepared to lynch one of Mulholland’s accomplices, Leicester Hall, an attorney and the treasurer of the Owens River Canal Company. Hall saved his own life by making the Freemason’s distress signal, which was recognized by a fellow Freemason in the murderous throng.

Mulholland was not deterred. With the success of the aqueduct, he began to dream bigger and more dangerously. He decided that the aqueduct was an incomplete solution for the needs of Los Angeles, and began scouting locations for the construction of a dam, in case a drought ever outpaced Owens water. He settled on San Francisquito Canyon, a federally held tract that hollows the Sierra Pelona Mountains. The canyon, which can be reached from Los Angeles in under an hour by car, is formed mostly out of solid sandstone, red siltstone, shale, and conglomerate stone. However, a decade earlier, work crews tunneling through the area had discovered that the canyon was layered through with schist in its northeastern section. And, in a 1911 report, Mulholland and Lipincott wrote that the schist might be unstable.

Mulholland nevertheless ignored the troubling condition of the area and proceeded to build in the canyon. The St. Francis Dam became operational in 1926.

It began to develop fissures and leaks within a year.

9.

On the morning of March 12, 1928, the dam held more than 12 billion gallons of water. That day, Mulholland visited the site with Tony Harnischfeger, the dam keeper. Harnischfeger showed Mulholland several muddy outflows in the dam’s western edge. Mulholland studied the cracking for an hour and a half before telling Harnischfeger to report back to him three times a day about the embankment’s condition.

Mulholland then stepped back into his chauffeur-driven Marmon sedan and returned to Los Angeles, where they had lunch at about 2 p.m.

About 10 hours later, around midnight, the dam burst open and emptied entirely into the canyon. No one who witnessed the breach survived. The flood killed Harnischfeger instantly, as well as his son, Coder, and Harnischfeger’s girlfriend, Leona Johnson. The water hurled toward a power plant called Powerhouse Number 2, where it drowned laborers and teachers. It continued to crash into the Santa Clara River Valley. It blasted into a Southern California Edison construction camp, killing 84 people, before emptying debris and bodies into the Pacific Ocean, 54 miles from the source point. Historians estimate a death toll between 400 and 600.

At the coroner’s inquest, investigators asked Mulholland why he did not react to the seepage Harnischfeger had shown him on the morning of the catastrophe.

“The only ones I envy about this thing are the ones who are dead,” Mulholland said.


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10.

Between 2011 and 2014, a Cal State Northridge graduate student in archaeology named Ann Stansell compiled the names of the victims of the St. Francis Dam’s collapse.

Some of the names are: Luz Alvarado, Jesus Alvarez, Clinton Anderson, and Georgie Basolo.

And: Maria DeJesus Carrillo, Hipolito Cerna, Homer Coe, Walter Colburn, Marguerite Cowden, and Rosarita Erratchuo.

And: Señora Figueroa, Lorenzo Florez, Mrs. Forrester, John Harold Frame, Elizabeth “Tootsie” Garcia, Charles Glenn, John Earl Gold, Richard Gottardi, and Esther Luna.

And: Jose Martinez, Paul Massetti, Vidae Louise Mathews, Charles Edgar McCarty, Teviarro Monorez, Roy Morrow, and Francisco Ochoa.

11.

In the 1920s, agriculture spread across L.A.’s San Fernando Valley. Farmers cultivated oranges, lemons, walnuts, tomatoes, grapes, beets, barley, corn, and lima beans. Many of the laborers who coaxed the fruit from the land were Mexican men and women, working for white landowners. The Latino laborers were ill-paid and -sheltered. But in the 1930s, they found competition in the drought refugees who had fled the Oklahoma and Arkansas dust bowls to seek work in L.A.

These refugees, while white, were perhaps even less welcome than the Latino workers, whom L.A. chieftains regarded as lazy and shiftless demi-humans, “bovine and tractable”; that is, they did not object too vocally to being housed in miserable shacks on overseers’ properties.

The influx of Dust Bowl migrants became so overwhelming that L.A. County Supervisors recommended that they be counted as they crossed over the state line. Herbert C. Legg, Chairman of the County Board of Commissioners, assured the public that the government did not pursue this surveillance in order to intimidate refugees or facilitate their arrest, but rather to ensure that they received sufficient care.

The Federal Government has assumed responsibility for drought relief and it is important to our State that such drought relief follow sufferers when they leave drought areas, he said, in 1936.

Chairman Legg either lied when he said this, or did not know what he was talking about.

A housing boom had started in L.A. in the 1920s, and small single-family homes began to sprout on the chaparral-blooming hillsides. Black people, Latinos, Asians, Slavs, Jews, and Italians were barred from living in certain neighborhoods. But a respectable class of Anglos with ready cash were allowed to colonize the valleys, which they did with enthusiasm, jubilantly planting small farms and decorating their homes with the flowers that sprouted around them. During Christmastime, these new minor land barons would adorn their hearths with the poisonous leaves and red berries of the native toyon plant, otherwise known as “hollywood.” This potentially dangerous practice grew so popular that the state outlawed toyon’s harvesting on public land.

City leaders welcomed this kind of moneyed and house-proud white person, who would buy a parcel and work in one of L.A.’s many new utility companies and other industries — Southern California Edison, for example, or the proliferating studios of Hollywood. But the Okies repelled the Southland’s elite. News outlets such as the Los Angeles Times Sunday Magazine called them relief chiselers, while other periodicals called them white trash, marginal people, and irresponsible wandering hordes. Vigilantes would assault their meeting places and encampments. And in 1936, the same year that Legg gave his assurances that he only monitored migrants to ensure their safety, L.A. police chief James Edgar Davis dispatched patrolmen to meet drought refugees at the California-Arizona border and force them back to where they came from.

Ever hear of the border patrol on the California line? Police from Los Angeles — stopped you bastards, turned you back. Says, if you can’t buy no real estate we don’t want you. (John Steinbeck, The Grapes of Wrath)

12.

Due to the explosive advances in nuclear science in the 1950s, the problems of drought, flood, atrocity, and inequality would intensify in California.

Simi Valley, a Ventura County community that is now famous as the location of the East County Courthouse, which hosted the failed 1992 Rodney King prosecution of four LAPD officers, is also the home of one of the nation’s first commercial nuclear power plants. The Santa Susana Field Laboratory (SSFL) housed North American Aviation’s (NAA) Rocketdyne division as well as Atomics International, a developer of nuclear reactors. SSFL was built on Simi Hills, a low mountain ridge south of the Valley. It began operations in 1947 and was closed by its current primary owner, Boeing, in 2006.

NAA scientists used the laboratory to test reactors and rocket engines, and to manufacture plutonium fuel. In the 1950s, lab employees — often people in their early 20s hired as manual laborers and security personnel — helped physicists and engineers test the Sodium Reactor Experiment (SRE).

The SRE was a nuclear reactor that would go critical (that is, become capable of providing power) if fed with massive quantities of uranium, as well as tetralin and sodium coolants. Excitement abounded across Southern California when the SRE began delivering a small amount of electricity to Moorpark, a nearby city in Ventura County, in 1957.

In January 1959, however, some of the lab operators noticed a sticky black substance in the reactor, a probable leaking of tetralin that the facility’s higher-ups ordered to be cleaned off. The tetralin, however, continued leaking, gumming up the SRE and failing to cool the sodium. Around July 12, the sodium penetrated into the uranium fuel elements, creating huge quantities of blazing-hot radioactive gases. In other words: the SRE experienced a partial core meltdown, to which lab engineers responded by shutting down the reactor on July 13, only to continue operating it on and off until July 26. The engineers dealt with the gases by expelling them into the atmosphere for weeks.

Forty-eight days after the accident, the Atomic Energy Commission and Atomics International issued a press statement that described the incident in confusing jargon and relied heavily on the passive voice — “a parted fuel element was observed” — and misled the public about the danger they were in. The fuel element damage is not an indication of unsafe reactor conditions. No release of radioactive materials to the plant or its environs occurred.

It has been estimated that the July 1959 incident expelled 240 times the amount of radioactivity as Three Mile Island.

Despite the magnitude of this catastrophe, the lab continued to operate and was the site of further disasters. In 1964, and then again in 1969, reactors designed to power U.S. space missions experienced damage to 80 percent and about 30 percent of their fuel, respectively. No one informed the public about these accidents, either.

As of this year, the site remains brimming with radioactive contamination despite the fact that in 2007, NASA, Boeing, and the Department of Energy (DOE) signed a Consent Order for Corrective Action with the California Department of Toxic Substances Control, which mandated a cleanup by 2017. This deadline has now obviously passed, and the area remains the subject of much community concern and speculation.

In August 2018, residents urged members of Simi Valley City Council to forbid the city from using groundwater as drinking water. If groundwater were so employed, it could not only imperil Simi Valley’s tonier bedroom communities, but also create specific dangers for people who cannot afford bottled water. Such folks include Simi Valley’s small but at-risk homeless population, who must scramble for resources and yet are targeted as irresponsible wandering hordes by the city’s Proactive Cleanup of Homeless Encampments Program. The Council embarked upon a study to evaluate the safety of funneling groundwater into public facilities and private residences, but put this project on hold when confronted with community dissent.

One of the supplicants, Jessica Geselle, a 39-year-old mother of two, said that she had been diagnosed with thyroid and uterine cancer that she believed was caused by her exposure to Santa Susana pollutants.

I’m here tonight to beg of you not to put groundwater in our homes … (and) keep our future generations safe, she said.

13.

In 2010 and 2011, the DOE began interviewing former employees of the Santa Susana lab in order to prepare an Environmental Impact Statement. Federal procedure requires such a statement to be filed before a contaminated area may receive the “remediation” that residents of Simi Valley and the nearby San Fernando Valley continue to await.

Some of the employees the DOE talked to mentioned throwing radioactive or contaminated material into a “sodium burn pit” between the 1950s and the 1970s, and dumping radioactive materials into the ocean. Some of them discussed how much they had enjoyed their jobs, which had kept them busy and on the go. A number of workers described fires and accidents at the lab. Others reported that many of their former project managers, shift managers, and co-workers had died of cancer.

One respondent, who is known in the report as Interviewee #258, explained that he had been part of the Rocketdyne police force, where he worked as a patrolman and a sergeant. Interviewee #258 said he had mostly been assigned to gate-guard duty, but that he also worked in the Rocketdyne fire department when they needed the extra help.

Interviewee #258 explained that his superiors never cautioned him about any personal exposure to radioactive materials. He did, however, remember that there had been a pond of water in SSFL’s Area II, which was not adjacent to any test stands. Fish lived in that pond, he said. He recounted how the fish looked strange, even grotesque.

Interviewee #258 also said that he had once seen a brushfire in Area IV, which once held the SRE.

No buildings were burned but a lot of trees, brush, shrubbery and weeds were destroyed. I don’t recall the exact cause of the fire but it occurred during very hot weather and it took all day to extinguish.

14.

The Woolsey fire ignited in Simi Valley on November 8, 2018, at 2:24 p.m. According to news reports, the fire began at the Santa Susana Lab, possibly because of a malfunction at Southern California Edison’s Chatsworth substation, which is located on site. The fire appears to have originated within 1,000 feet of the SRE’s partial meltdown.

The surrounding scrub-filled areas were parched as a result of a drought California had endured since December 27, 2011, and which would not end until March 5, 2019. Some experts describe the period of heat and dryness from 2012 to 2014 as the worst California has seen in 1,200 years.

The flames spread quickly to the surrounding weeds and brush.

Santa Susana once possessed a crack firefighting force alongside its police unit, but this team seems to have either dwindled to a skeleton crew or been more thoroughly dismantled; the status of the firefighting troop remains unclear as Boeing did not answer reporters’ questions in the aftermath of the fire. Moreover, no one who witnessed the fire’s outbreak has come forward to describe what happened, perhaps due to the pressures of lawsuits that have been filed against the aircraft manufacturer as well as Edison.

The fire burned freely through the contamination. On the very day the fire broke out, about 400 firefighters had been called away to battle another blaze, the Hill fire, which ran amok 15 miles to the west. The response to Woolsey saw a long delay. When the Los Angeles County Fire Department was finally deployed, there were problems — the Department sent strike teams to Agoura Hills instead of Simi Hills, and at the lab site, there was no or little water, and poor cellphone reception. Eventually, these limitations impelled the firefighters to move their base of operations to a Ventura County fire station.

For the next few days, strong Santa Ana winds drove the fire into Bell Canyon, the Santa Monica Mountains, Oak Park, and finally Malibu. It burned 96,949 acres and destroyed 1,643 structures. It forced more than 295,000 people to flee from their homes and communities. The Woolsey fire killed three people (that we so far know of): Alfred De Ciutiis, Anthony Noubar Baklayan, and Shoushan Baklayan.

15.

The Santa Susana Field Laboratory is located on a brush- and weed-covered 2,668-acre parcel in Simi Hills. In the 1940s, North American Aviation believed it was an excellent choice for the siting of a nuclear power plant on account of its remoteness from populated areas. According to the most recent estimate, Simi Valley now houses approximately 125,613 people.

According to the Bulletin of the Atomic Scientists (BAS), the lab site is contaminated with trichloroethylene, as well as polychlorinated biphenyls (PCBs), dioxins, heavy metals, volatile organic compounds (VOCs) and semi-volatile organic compounds (SVOCs), polycyclic aromatic hydrocarbons, and perchlorate. Further, according to the BAS, “[a] $40 million, multi-year radiation survey by the Environmental Protection Agency found hundreds of Santa Susana locations contaminated with radionuclides, including strontium 90, cesium 137, and plutonium 239.”

On the Boeing web page, Boeing explains that, after the Woolsey fire, a study conducted by an independent and State-certified laboratory detected no man-made radionuclides.

In December 2018, the California Department of Toxic Substances Control issued a statement indicating that the Woolsey fire did not poison the folks of Simi Valley, Ventura, or Los Angeles.

No radiation or hazardous materials from SSFL were detected in communities following the Woolsey Fire.

16.

Some people do not believe these reports. One prominent critic is Daniel Hirsch, the retired director of the Program on Environmental and Nuclear Policy at the University of California, Santa Cruz. Hirsch complains that the California studies were taken after the fire, when any and all blighted smoke would have already disappeared. He also asserts that the Department of Toxic Substances Control did not test their air, ash, and soil samples for radioactivity at all. He wonders how inspectors found no contamination when Santa Susana had long been known as a contaminated site.

17.

When wildfires rage over radioactive lands, weeds and brush present some of the greatest dangers. Radioactive isotopes sink into groundwater, which is then tapped by groundcover. When fire spreads to these plants, they may discharge the radiation into the air as they burn.

18.

The Santa Susana Lab was built and its toxic remnants have languished amid the chaparral-covered Simi Hills, less than an hour away from the location of the long-gone deadly zanjas, of Lachenais’ forgotten lynching, and of the hushed rooms where Fred Eaton and William Mulholland plotted out the water wars.

Chaparral is a fire-responder. In the spring following the Woolsey fire, poppies peeked out from its biome. The plant’s hard, green, waxy leaves have begun to grow again in Simi Valley’s defiled and blackened lands. Its deep roots still plunge into rock and search out the invisible groundwater, the way they always have.

Wildflowers were not the only thing to follow the Woolsey fire. So did mudslides, caused by the burnt earth’s erosion and record-breaking storms that soaked Los Angeles in December 2018. The resulting torrents proved particularly threatening to people living in the fragile tents that compose the homeless encampments scattered across L.A. County.

Santa Ana winds often fan the flames and allow blazes to rage across Southern California in the fall, before the winter rains. After the mudslides carve the hills, the remaining bare soil resembles a desolate moonscape. Cold-weather downpours course through the valleys, absorbing the pollution and toxins that have collected in the earth.

The hazards created by Santa Susana became especially dire after the Woolsey fire, as the blaze charred pipes and treatment systems that had been designed to corral contaminated rainwater before it coursed down the hill. Boeing records reveal that in the three months following the December rains, chemicals and radioactive materials poured from the site at levels that exceeded state safety standards. In November 2019, NBC4 reported that while Boeing would ordinarily have had to pay as much as $154,250 in fines for these violations, the penalty was cut to $28,000 to recognize Boeing’s lack of fault for a natural disaster.

19.

It seems that Southern California is an inhospitable place for most living things except for chaparral because it is hot, it is sere, its rains won’t fall, and if they do, the storms come in the form of Biblical deluges that arrive complete with plague. It’s also said around these parts that the region’s fires and floods do not discriminate. But these observations are not perfectly accurate. Poor and middle class people as well as people of color are at greater risk from the dangers caused by the river, the drought, the dam, the floods, the lab, the poisons, and the greed that grows in this beautiful place.

The people are agitating for change. In September 2018, 20 sign-hoisting residents of Simi Valley and nearby Chatsworth gathered on Valley Circle Boulevard to call for the cleanup of Santa Susana; they were supported by the honks of commuters. In October of that year, 30 activists of the Simi and San Fernando Valleys held an action in front of Governor Newsom’s L.A. office, calling for the site’s remediation. And in July 2019, 200 protesters gathered at Simi Valley’s Rancho Tapo Community Park to paint commemorative rocks that would serve as a memorial to the SSFL’s workers; this event drew attention because Kim and Kourtney Kardashian, who live close to the site, attended.

In September 2019, then-Energy Secretary Rick Perry visited Santa Susana. He took a fact-finding tour around the portion of the land that the Department of Energy has been ordered to remediate. When asked about his objectives, Perry didn’t make any specific plans, or raise anyone’s hopes with promises. He said, instead, that he didn’t want to get into the details, but just understand the history of the site. Yet, this gesture did presage some small progress: In May 2020, the California Department of Toxic Substances Control and the DOE agreed to demolish ten buildings in Area IV of the SSFL, so as to guard against the spread of toxins and radionuclides that may occur during the next wildfire and storm cycle.

Still, this is a far cry from complete remediation. “The surrounding communities have waited a long time for decisive action,” Governor Newsom said, at the news of the DOE’s decision. “Today’s order represents a new and important chapter toward the full cleanup.”

20.

In 2019, climate scientists reported that the fire season in California, which had formerly been concentrated in the fall months, is now expected to extend into the winter. So, from now on, people will be on high alert from the deepest heat of the summer to the chill bright months. This constant vigilance leaves locals with a sense of unease; of grief. History assures us that terror and disparity have always sat side-by-side in Southern California, even if such marvels feel unprecedented. Flight from superfires, poisonous air, tainted water, and now other contagions, has become our way of life.

* * *

Yxta Maya Murray is a writer and law professor at Loyola Law School. Her novel, Art Is Everything, is forthcoming in February, and her book of short fiction, The World Doesn’t Work That Way, but It Could, is out now.

* * *

Editor: Ben Huberman
Factchecker: Nina Zweig